Strange Things Are Afoot At the Circle-C

As awareness of Pilfered Magazine’s diabolical position (regarding the copyright ownership of the work it distributes) continues to grow, I keep hearing of other websites that are flouting copyright laws and stealing creative work from the web.  The latest:  ShootForYourLife.  As I visit the sites, hoping to find my own work or the work of someone I know, so that my ire can be further affirmed, I keep getting the feeling that I’m being played for a fool.

Out of the corner of my eye, I keep thinking I can see someone sneaking away to the bank with a load of cash to deposit; I know they’re there, I just can’t quite lay eyes on them.  To my knowledge, Pilfered and ShootForYourLife are not presently making money from their sites, though how could anyone really know that without a law suit?  All will become clear.

So far, the content of the artwork being infringed has not been the primary issue, but rather the infringing itself.  There is a conspicuous presence of naked bodies – a lot of skin is being shown, and, exactly as you’d expect, most of it belongs to young women.  The sites in question are doing everything they can to get and hold viewers, and we all know that showing a lot of skin can help with that.  We know, too, that consequences must follow.  As the threats of lawsuits and DMCA takedown notices pile up, I keep thinking about artist Barbara Kruger:  ”Your body is a battleground.”  I predict there will be a battle.  At the very least there will be a kerfuffle.  I hope that in the process all of the battlegrounds will be walked carefully.

Maybe it will all just get settled before there are any actual lawsuits.  See, I keep getting the feeling that the sites are nothing more than star vehicles for the editors.  That is, the sites are essentially portfolio pieces for people looking to get jobs as art buyers, editors, agents, what have you.  They woke up one day to find they had just been laid off, or had just come out of school fully prepared to enter a career in an industry that was in the midst of a major downturn, and they said “I know!  Let’s just start an online publication.  It’ll cost us very little and we can show whatever we want.  We’ll have no advertisers telling us how to lay out our pages, and we can sidle around all the copyright stuff long enough for there to be a lot of hoopla.  In the end we’ll just drop it all, cash in on our new reputations, and get great jobs.  Win-win!”

Maybe the editors of Pilfered and ShootForYourLife are just using copyright infringement as a tool to get some attention, with no thought for the lives and livelihoods of those artists they are claiming to honor and admire.

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George Washington’s Rules of Civility

To accompany the conversations I’ve been reading lately about legal uses of content found online, I’ve been reading about how to be civil and respectful, too, while participating online.  I believe the legal stuff is important, but it’s pretty dry and contentious.  The etiquette stuff is more fun.  I stumbled upon  George Washington’s Rules of Civility.  There are 110 of them.  If I understand correctly, he copied them from a book as a child, some time before he was 16 years old.  The spelling is his.  Here are my favorites, some of which are quite applicable to online behavior:

12th Shake not the head, Feet, or Legs rowl not the Eys lift not one eyebrow higher than the other wry not the mouth, and bedew no mans face with your Spittle, by approaching too near him when you Speak.

50th Be not hasty to beleive flying Reports to the Disparagement of any.

3d Run not in the Streets, neither go too slowly nor with Mouth open go not Shaking yr Arms kick not the earth with yr feet, go not upon the Toes, nor in a Dancing fashion.

2d Speak not of doleful Things in a Time of Mirth or at the Table; Speak not of Melancholy Things as Death and Wounds, and if others Mention them Change if you can the Discourse tell not your Dreams, but to your intimate Friend.

35th Let your Discourse with Men of Business be Short and Comprehensive.

70th Reprehend not the imperfections of others for that belongs to Parents Masters and Superiours.

89th Speak not Evil of the absent for it is unjust.

90th Being Set at meat Scratch not neither Spit Cough or blow your Nose except there’s a Necessity for it.

94th If you Soak bread in the Sauce let it be no more than what you put in your Mouth at a time and blow not your broth at Table but Stay till Cools of it Self.

105th Be not Angry at Table whatever happens & if you have reason to be so, Shew it not but on a Chearfull Countenance especially if there be Strangers for Good Humour makes one Dish of Meat a Feast.

109th Let your Recreations be Manfull not Sinfull.

110th Labour to keep alive in your Breast that Little Spark of Celestial fire Called Conscience.

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Pilfered Magazine

I just learned about Pilfered Magazine, which accepts images that are stolen from the web and publishes them.  Occasionally they credit the creators (when it’s convenient to do so), and they never pay for content.  From their About page:

PILFERED is a place where artists, photographers, designers, and the inspired can submit their favorite visuals pilfered from the web to share with one another. Founded on the spirit of web democracy, and built to aid in communicating ideas and concepts, PILFERED Magazine aims to assist in speaking the thousand words – visually.

The editors defend their blatant flouting of the intellectual property rights of the creators of their content with the statement:

Its founders, artist Patrick Hoelck and creative director RUDJ, together with their team (Nate “Res” Harvey & Mia Van Valkenburg), have in the past spent hours surfing the web to put together presentations for various commercial ad and editorial jobs…and noticed the hours it took to gather images and felt it was time to have a massive image collective shared by the people, for the people. The goal was to make this process easier and a lot more community oriented and fun.

Their concept is greatly offensive to artists of all kinds.  They believe that artists should create content and send it out into the world for the benefit of everyone without any kind of compensation but the pleasure of a credit, and perhaps a link to their Flickr stream or website.  Then, the artists should go back to work at horrible, low paying jobs without health insurance or retirement benefits, to try to scrape a few pennies together to pay their bills.

.I am holding my breath as I wait to see them shut down, to see their staff sued, and see the Copyright laws rewritten to be more appropriate and enforceable for a digital age.  Plenty of people are working on copyright issues, for example, The Copyright Alliance:

The Copyright Alliance believes that copyright law promotes creativity and job creation and strengthens the U.S. economy. Those who create, render, and publish copyrighted works rely on the copyright law and its enforcement, for their creative and financial success. Without it, these creators would likely cease to exist, or at the very least, cease to produce these important works that are enjoyed by billions of people around the world.

Our shared belief in protecting copyrighted creative works brings together in the Copyright Alliance a broad panoply of parties, from artists’ unions to major publishers. A sweeping swath of creative works are represented, from songwriters to photographers, motion pictures to videogames, recording artists to graphic designers, software developers to sports leagues.

We are committed to promoting the cultural and economic benefits of copyright, providing information and resources on the contributions of copyright, and upholding the contributions of copyright to the fiscal health of this nation and for the good of creators, owners and consumers around the world.

The Copyright Alliance is a non-profit, non-partisan educational organization dedicated to the value of copyright as an agent for creativity, jobs and growth. It is a 501(c)(4) nonprofit organization. Membership fees and contributions are not tax deductible as charitable donations. However, membership fees may be deductible as ordinary business expenses under IRC Section 162. Please consult your tax advisor.

Address:

Copyright Alliance
1224 M St. NW Suite 301
Washington, DC 20005

Contact us by email:

info [at] copyrightalliance [dot] org


I recognize the slope is slippery in every direction, that the communal sharing and admiring of creative work is inspiring and leads to new creation.   Unless we can establish some sort of communal support for the creators, they (we) have to find ways to support ourselves.  At present, that means we have to put limits on how our work can be used, and we have to be compensated for all of the uses.

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Palos Park Visit – 12/31/09

On 12/31/02 I was mountain-biking on the trails in a public forest preserve park near Palos Park, Illinois.  It was late in the afternoon of the last day of the year, I was getting ready to go home, and much to my surprise I came across a stone marking the burial of nuclear waste material, right there in the forest preserve.  I have gone back to visit the site every 12/31 since then.  It’s a nice way to close out the year.

The view as you approach the Plot M central marker stone in the Palos Park Forest Preserve.

The view as you approach the Plot M central marker stone in the Palos Park Forest Preserve.

On that afternoon in 2002 I had spotted what appeared, at a distance, to be either the headstone of a grave or else an electrical transformer, in the middle of a large clearing on a trail I hadn’t yet explored.  It looked like a pale cube of some sort.  It was quite surprising to approach it and see this:

Central marker, Plot M.

Central marker, Plot M.

For some years before then, I had been reading casually about the development of the atomic bomb.  A friend and I had even made a big trip from Boston, specifically to visit the Trinity site near Alamagordo, New Mexico, where the very first atomic bomb test took place on July 16, 1945.  It’s on an active missile range (non-nuclear) called the White Sands Missile Range (note:  you may encounter a bizarre pop-up message in which the US Military warns you that you’re going to be monitored while visiting their site, so don’t be freaked out), which gets shut down on the first Saturday in April and the first Saturday in October, when the public are allowed to come and visit the crater and nearby relics.  My visit was in 1998 and was well worth the trip.  Here’s a map of the site.  I’ve got a lot more to say about the whole affair, so stay tuned.

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